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A Streetcar Named Desire

Drama · Thriller

A Streetcar Named Desire

...Blanche, who wanted so much to stay a lady...

7.6(1,491) 9/18/1951 2h 2m
DramaThriller

A disturbed, aging Southern belle moves in with her sister for solace — but being face-to-face with her brutish brother-in-law accelerates her downward spiral.

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Trailer

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Top Cast

Vivien Leigh

Vivien Leigh

Blanche DuBois

Marlon Brando

Marlon Brando

Stanley Kowalski

Kim Hunter

Kim Hunter

Stella Kowalski

Karl Malden

Karl Malden

Harold Mitchell

Rudy Bond

Rudy Bond

Steve

Nick Dennis

Nick Dennis

Pablo Gonzales

Peg Hillias

Peg Hillias

Eunice

Wright King

Wright King

A Collector

Directed by

Elia Kazan

Production

Reviews

Wuchak

4/10

4/30/2022

_**Interesting themes, but an overrated melodrama**_ Released in late 1951 and directed by Elia Kazan based on Tennessee Williams play, "A Streetcar Named Desire" stars Vivien Leigh as the neurotic Blanche DuBois, who moves in with her sister (Kim Hunter) in the French Quarter of New Orleans where she is antagonized by her brutish brother-in-law, Stanley (Marlon Brando). As she seeks a relationship with one of Stanley's friends (Karl Malden) her reality crumbles around her. The story is thematically rich and I enjoy evaluating and interpreting it. For instance, Blanche represents the dying Southern aristocracy, its airs of sophistication, its morality and delusions of superiority, whereas Stanley Kowalski represents the simple primal world of working class immigrants and the moral de

Cinema_Snobb

10/10

5/11/2024

"I've always relied on the kindness of strangers." - Blanche Du Bois Blanche Dubois has had some problems back home. She rides into New Orleans on a streetcar to stay with her sister Stella and her brutish husband Stanley. It's an immediate clash of cultures as Blanche and Stanley butt heads. Though their ideology is different there is also an undeniable sexual tension around them as well. That tension continues to build to tragic effects. To call this film one of the all time greats almost seems like an understatement. Based on the Pulitzer Prize winning play by Tennessee Williams, it ushered in a more mature dramatics that film needed. It also was important as a new kind of acting style. Marlon Brando had made the film "The Men" the previous year, but it was this movie that proj

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