Resident Evil: Retribution

2/3/2013

This movie is the 5th instalment in the Resident Evil series. Why would you want to watch this movie? Why would you want to watch any Resident Evil movie come to think about? Good acting…nope. Intelligent and intriguing plot…absolutely not. Zombies…yep. Action…most definitely yes! Anything else…well if you’re member of the younger part of the average male population you probably watch it for Milla Jovovich as well. Now that we have established the baseline for the movie, does this movie deliver? The answer to that is, without a doubt, YES! This film delivered exactly what I expected of it. As I mentioned it is the 5th movie in the series and the entire series is sprung from a video game in the first place so it should really be no surprise that the film is one long video game action seq

11/20/2020

Watching it again after 8 years, my feelings about this installment remains the same. Guess I found it easier to watch after revisiting the franchise but still think the plot was weak, even by the standards of the series, and while I know it’s based on a video game, really wish the movie didn’t feel like one, even more so than the previous installments. Still like Jovovich in the role of Alice, in fact, and take this for what you will, is the strongest actor of the ensemble with Guillory turning in an especially awful performance (at least under the Umbrella Corp’s influence). Easily this is the weakest entry. **1.5/5**

8/15/2023

Alice is going through an alternate world. When she finally snaps out of it, she finds herself trapped in and underworld city.

2/3/2025

Resident Evil: Retribution (2012) is the point where the franchise fully embraces its identity as a straight-up action spectacle. Any remaining traces of horror are wiped away, making room for relentless fight sequences, wild set pieces, and high-energy pacing. The plot is simple and mostly exists to keep the action moving, but it does introduce some interesting elements, like Ada Wong’s arrival and the expanding influence of Umbrella. That said, while the story has potential, it never really dives deep into anything, keeping everything surface-level. The directing sticks to Paul W.S. Anderson’s usual style, with slow-motion overload and CGI-heavy action. The cinematography, handled once again by Glen MacPherson, maintains the same hyper-stylized approach as the previous films, and whil