Where to Land

9/27/2020

Sometimes there are films that develop in a short time such an opulence of unpretentious, free floating, refreshing mysteries, dissimilarities and alterities that you don't want to spoil your viewing and listening pleasure by asking questions or searching for answers. «Do you believe you can get to know another person by asking them questions?», is said at one point in the film. Can you really get to know a film by asking too many questions? What framework of identification do these questions imply? Sawandi Groskind's radically anti-identarian Where to Land (without question mark!) is so full of possible conjunctions and disjunctions that one does not actually want them to “land” and find a destination, even though everything revolves around the search for origin, for belonging and for tog