

Drama · Western
Cry Macho
A story of being lost... and found.
A one-time rodeo star and washed-up horse breeder takes a job from an ex-boss to bring the man's young son home from Mexico.
Trailer
Top Cast

Clint Eastwood
Mike Milo

Eduardo Minett
Rafo

Natalia Traven
Marta

Dwight Yoakam
Howard Polk

Fernanda Urrejola
Leta

Horacio García Rojas
Aurelio

Marco Rodríguez
Porfirio

Paul Alayo
Sergeant. Perez
Directed by
Clint Eastwood
Production
Reviews
itsogs
10/109/24/2021
Still going strong, Eastwood does not disappoint in his latest movie. And yes, there was even a few minutes of action.⭐⭐⭐⭐⭐
Peter McGinn
7/1011/4/2021
This film was fine, but for me not quite what i expect from Eastward’s more recent efforts. His acting was good in his laid back style and carried the movie in places, I thought, but I was a bit distracted by the more lackluster performance of a few others. Dwight Yoakum, for example, whose singing I have always enjoyed, seemed to deliver his lines woodenly at times. But I won’t dwell on critiquing here and there. Overall it was watchable. It just seems like it could have shown more spark if Eastward had lit a fire under a few butts during some of the scenes. Maybe by planting that doleful, slow-burn stare on them, hand twitching near the holster that wasn’t there.
r96sk
7/102/15/2022
A mid Clint Eastwood flick. <em>'Cry Macho'</em> is passable, I had a fine time with it as I got suitable enjoyment. I wasn't overly invested but I don't have any noteworthy issues either. It narrowly gets a 7/10 rating from yours truly. At the age of 91, Eastwood is still acting, directing and producing movies - you gotta admire his longevity! He remains entertaining to watch, having come a long way since that debuting (uncredited) role in 1955's <em>'<a href="https://letterboxd.com/film/revenge-of-the-creature/" rel="nofollow">Revenge of the Creature</a>'</em>. There isn't much to note about the cast behind the lead, though Eduardo Minett and Natalia Traven are alright. I have nothing else to say. It's a satisfactory film.
katch22
4/103/13/2022
The writing was pitiful, and the acting was mediocre, at best. Clint Eastwood is way too old to even attempt being a romantic lead. The senoritas making a play for him was farcical. He's also too old to be an action star. As far as bustin' broncos, you could almost see the stunt man being called in to take the reins. The kid was supposed to be a streetwise hellion, but the only hint of that was that he could apparently boost old cars. Overall, if you have good memories of Clint Eastwood, my advice is to skip this movie and avoid tarnishing your image of Clint.
tmdb28039023
4/109/6/2022
One of the best scenes in Cry Macho involves sign language. It’s not even a scene, really; just a brief exchange of the short-but-sweet variety. I mention it because I wish more of the film were like that. The two protagonists speak English, and yet there is a language barrier issue going on here. Specifically, the actor who plays Rafael, Eduardo Minett, makes you go for the 'mute' button almost every time he opens his mouth — the exception being when he falls back on his native Spanish. It’s not the young man’s fault, and it happens to the best of them; just listen to Jean Gabin in Moontide, or Javier Bardem in Loving Pablo, or Salma Hayek, Sofia Vergara, and Penelope Cruz in any of their English-speaking roles. Now, I understand he’s playing a Mexican boy who speaks English as a
Wuchak
7/106/24/2023
**_Teaching a boy the ropes of life while traveling through Mexico_** An old-as-dirt ex-rodeo star (Clint Eastwood) is given the task of bringing back the early- teen son of a rancher (Eduardo Minett and Dwight Yoakam respectively) from Mexico City to west Texas in which they have several misadventures. Fernanda Urrejola plays the boy’s mother while Natalia Traven is on hand as a woman they meet along the way. “Cry Macho” (2021) has similarities to past Eastwood flicks, like “The Mule” (2018), “Gran Torino” (2008), “A Perfect World” (1993), “Honkytonk Man” (1982) and “Bronco Billy” (1980). It’s a road movie wherein the characters get to know each other as they go from one experience to another. The nuance here is contrast of one character coming-of-age while the other is coming-near-
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Malpaso Productions
Warner Bros. Pictures










