

Romance · Drama
Cocktail
When he pours, he reigns.
After being discharged from the Army, Brian Flanagan moves back to Queens and takes a job in a bar run by Doug Coughlin, who teaches Brian the fine art of bar-tending. Brian quickly becomes a patron favorite with his flashy drink-mixing style, and Brian adopts his mentor's cynical philosophy on life and goes for the money.
Trailer
Top Cast

Tom Cruise
Brian Flanagan

Bryan Brown
Douglas "Doug" Coughlin

Elisabeth Shue
Jordan Mooney

Lisa Banes
Bonnie

Kelly Lynch
Kerry Coughlin

Gina Gershon
Coral

Ron Dean
Uncle Pat

Ellen Foley
Eleanor
Directed by
Roger Donaldson
Production
Reviews
CinemaSerf
5/106/9/2022
There was something about Tom Cruise in this film that shows him at his most engaging and fun. His character "Brian" wants to get on in life - but at every turn his limited of education gets in the way. Despondent, he heads to a bar where he encounters "Doug" (Bryan Brown) and next thing we know, he is a cocktail barman. A bit slow to start off with, but soon he has the clientele eating out of his hand as his charm and cheekiness soon show he has a real skill for this job. The first half hour or so are actually quite lively and entertaining. We also get a sense of just how hard - manic, even - it is to be behind the bar in a busy venue - maybe I will show a little more patience next time I have to wait for my Sauvignon Blanc (though probably not!). The bulk of the film, though, is really w
Wuchak
7/109/10/2023
**_Fun 80’s flick starts shallow, gets deeper_** Bent on financial success, a young ex-soldier (Tom Cruise) becomes an expert bartender in Manhattan while attending college in order to make it on Wall Street. Then a dream surfaces to establish a nightclub in Jamaica. Bryan Brown plays his cynical mentor while Elisabeth Shue and Lisa Banes are on hand as romantic interests. “Cocktail” (1988) is an entertaining Cruise-led 80’s flick that starts energetic, amusing and shallow but, thankfully, fleshes out the characters for something deeper. It’s fun in a snappy way, yet hindered by a feeling of unreality in the first half, which is resolved in the second. Brown is reminiscent of Michael Caine while Shue is in her prime, although her beauty isn’t fully captured as it was in “The Karat
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