Tyrannosaur

1/16/2020

Tyrannosaur harnesses predatory aggression in the pursuit of redemption. Abhorrence. Resentment. Vehemence. The Tyrannosaurus Rex was supposedly both apex predator and pure scavenger, a creature with vastly powerful jaws that vanquished the innocence of flora and fauna. Considine’s directorial debut depicts the uncompromising wake of destructive behaviour. The hollow remains of melancholic shells, optimistic perspectives absorbed by choleric tendencies of begrudged souls. The bitterness of tainted realities corrupting the individuals who follow faith. Samaritans. The helpful aiding the helpless. A religious follower, Hannah, working at a charity shop, offering solace to a detestable man, Joseph. A racist. An antisocial behaviourist. A wounded individual, dejected from life, extending re

4/10/2024

"Joseph" (Peter Mullen) has just buried his dog in his garden on a council estate where many of his fellow residents are like him - angry, violent and full of despair. After being beaten up on the street, he takes refuge in a nearby charity shop where he befriends the lady who works there. "Hannah" (Olivia Colman) is a woman of deep Christian faith who sees good in everyone and when he begins to visit regularly, the two begin to bond a little. What he doesn't know, but we do, is that she is married to "James" (Eddie Marsan) and he's a nasty piece of work. His discovery of this quite shocking news brings both of them to fairly startling realisations that lead both to differing forms of quite drastic action. Mullen isn't exactly versatile, he usually plays the hard man - and he plays that ro