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The Blood Beast Terror

Horror · Science Fiction

The Blood Beast Terror

A ravishing PSYCHO-FIEND feasts on the BLOOD of her Lovers

5.5(62) 2/1/1968 1h 28m
HorrorScience Fiction

A scientist working with genetics creates a horrifying flying creature that feeds on human blood. Following a gruesome trail of dead bodies, Scotland Yard investigators must scramble to halt its ravenous rampage.

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Trailer

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Top Cast

Peter Cushing

Peter Cushing

Detective Inspector Quennell

Robert Flemyng

Robert Flemyng

Dr. Carl Mallinger

Wanda Ventham

Wanda Ventham

Clare Mallinger

Glynn Edwards

Glynn Edwards

Sgt. Allan

Kevin Stoney

Kevin Stoney

Granger the Butler

Vanessa Howard

Vanessa Howard

Meg Quennell

DG

David Griffin

William Warrender

Roy Hudd

Roy Hudd

Morgue Attendant

Directed by

Vernon Sewell

Production

Reviews

Wuchak

5/10

3/28/2020

**_The Mothman’s first movie_** Young men in the countryside near London are winding up dead with their throats torn open and their blood drained. A Scotland Yard inspector (Peter Cushing) enlists the input of a college entomologist (Robert Flemying) to track down the killer. Wanda Ventham plays the latter’s daughter while Vanessa Howard is on hand as the former’s daughter. "The Blood Beast Terror" (1968) was ironically made during the general period when the so-called Mothman terrorized inhabitants of Point Pleasant, West Virginia, in late 1966. Cushing viewed it as his worst film and Flemying hated working on it. Most of the cast complained about the small, cost-effective (cheap) sets. Made by Tigon, it’s quaint and frugal, but it’s not THAT bad. Fans of Cushing and British hor

CinemaSerf

5/10

6/3/2023

Vernon Sewell has assembled quite a decent cast here, but sadly the story is scraping the bottom of the barrel somewhat. Robert Flemyng is a genetic scientist who has created (why?) a being that by day is the gorgeous, vivacious young women "Clare" (Wanda Bentham) but by night is a blood sucking insect feasting readily on anyone who takes it's fancy. Luckily, Peter Cushing ("Insp. Quennell") is on hand to get to the bottom of things. Again, the colour photography robs this of what menace it had, and the effects - such as they are - rely too much on the old techniques of light and shade to have much of an impact in this new medium. Perhaps not a film for lepidopteraphobics, it does gather a bit of pace as Cushing's investigations start to bear fruit, but for me this is all just a bit too pr

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