

Music · Documentary
Summer of Soul (...Or, When the Revolution Could Not Be Televised)
A Questlove Jawn.
During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America's history lost — until now.
Trailer
Top Cast

Stevie Wonder
Self

Lin-Manuel Miranda
Self - Artist

Chris Rock
Self - Artist

Tony Lawrence
Self - Harlem Cultural Festival Producer & Host (archive footage)

Nina Simone
Self (archive footage)

B.B. King
Self (archive footage)

Abbey Lincoln
Self (archive footage)

Mavis Staples
Self - Singer (archive footage) (voice)
Directed by
Questlove
Production
Reviews
Louisa Moore - Screen Zealots
6/103/9/2021
The times, they were a’changin’ in the summer of 1969, with many turning to music as a vehicle to help them express their feelings on important social and political issues. The most famous music festival of all time, Woodstock, has seen its concert footage shown the world over. That same year in New York, over 300,000 people attended the predominantly African-American concert series known as the Harlem Cultural Festival. The filmed performances of some of the most important artists in black music history sat in a basement for five decades, only to finally be seen in “Summer Of Soul (…Or, When The Revolution Could Not Be Televised),” a documentary by first-time director Ahmir-Khalib “Questlove” Thompson. This concert film is a cultural and historical treasure trove of American music that
badelf
8/1011/18/2022
In 1969, besides Woodstock, there was also an unknown Summer of Soul Festival in New York. More specifically, in Harlem. If you're a music buff (I am), this is a must-see film. It includes amazing performances that we would otherwise not have seen. Eclipsed by Woodstock, the recordings found no takers at the time and sat in a basement for 50 years. Unearthed by Questlove, and interlaced with pertinent interviews, the music speaks for film.
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