

Drama
May December
Some roles are transformative.
Twenty years after their notorious tabloid romance gripped the nation, a married couple buckles under the pressure when an actress arrives to do research for a film about their past.
Trailer
Top Cast

Natalie Portman
Elizabeth

Julianne Moore
Gracie

Charles Melton
Joe Yoo

Cory Michael Smith
Georgie

Elizabeth Yu
Mary Atherton-Yoo

Gabriel Chung
Charlie Atherton-Yoo

Piper Curda
Honor Atherton-Yoo

D.W. Moffett
Tom Atherton
Directed by
Todd Haynes
Production
Reviews
Lachlan Thiele
8/105/29/2023
<b>INT. MOCKING-MOORE - DAY </b> May December is an excellent satire with incredibly dark themes at times. Portman's Elizabeth is an actress tasked with researching her next role, a movie based on the massively dramatised life of <i>Julianne Moore's</i> character. Moore and Portman shine in their roles, and both can create believable characters whilst still pushing the unbelievable humour and situations they are put in. Portman, mainly with her fascination with making an actual 'true-to-life' performance as <i>Gracie</i>, copies her quirks and tendencies, providing the audience with laughs. Primarily the humour lies in the dark aspects of the film. The funniest, without spoiling, Gracie's relationship with her husband. It continuously evolves over the film, and we finally reach a sati
CinemaSerf
7/1010/19/2023
This actually reminded me a little of "All About Eve" (1950) as television actress "Elizabeth" (Natalie Portman) arrives at the home of "Gracie" (Julianne Moore) about whom she is to star in a biopic. Initially welcoming of her and keen to help, we follow the changing dynamic as we learn that "Gracie" has quite a past, and that her husband of 20-odd years, "Joe" (Charles Melton) is considerably younger than her and there was quite a furore when they first hooked up that saw the older woman incarcerated. The more she finds out, the more involved "Elizabeth" becomes and the more immersed we all become in this quite compelling story of a taboo that rather broke a mould or two and is now surrounded by an atmosphere of hypocrisy, faux-friendships, and lemon drizzle cake. There is a strong, incr
Brent Marchant
5/1011/24/2023
In moviemaking, there’s subtlety, and then there’s subtlety carried too far. In the case of director Todd Haynes’s latest, the filmmaker unfortunately indulges himself far too much in the latter. This story of an actress (Natalie Portman) who visits a middle-aged sex offender (Julianne Moore) to prepare for a role she’s about to play in a movie about her subject’s life never seems to find a footing to stick with and explore. The narrative examines many different aspects of the back story behind the lives of the characters to be portrayed in this pending production without ever really resolving any of them by the time the credits roll. This includes not only the protagonist’s reasons for pursuing her once-underage husband (Charles Melton) – actions that got her jailed and made her fodder fo
r96sk
7/101/22/2024
Bit of a odd one. It gradually lost my attention a little the longer it went on, though overall it's a film I'd consider as interesting. I know of the real life story that <em>'May December'</em> is "loosely" based upon, so it was intriguing early on to see how the film was going to tackle it. I think they did a good enough job with it all, the actress meeting the subject element makes the film more watchable than it otherwise would have been. Natalie Portman, Julianne Moore and Charles Melton are a great trio onscreen, each giving a noteworthy performance. Portman impressed me most, though Melton really does come strong across the second part of the movie. The rest of the cast do well, particularly solid casting of the main two characters' children. A very well made production, j
justhappytobehere
6/101/22/2024
Mostly a boring affair, with a few nice pieces of performance from time to time. Portman was never a good actor and she delivers another dead eyed performance. Moore was quite good and so was the man child. I guess check it out or not, it really doesn't matter.
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