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Close Encounters of the Third Kind

Science Fiction · Drama

Close Encounters of the Third Kind

We are not alone.

7.4(4,750) 12/14/1977 2h 17m
Science FictionDrama

After an encounter with UFOs, an electricity linesman feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.

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Trailer

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Top Cast

Richard Dreyfuss

Richard Dreyfuss

Roy Neary

François Truffaut

François Truffaut

Claude Lacombe

Teri Garr

Teri Garr

Ronnie Neary

Melinda Dillon

Melinda Dillon

Jillian Guiler

Bob Balaban

Bob Balaban

David Laughlin

J. Patrick McNamara

J. Patrick McNamara

Project Leader

Warren J. Kemmerling

Warren J. Kemmerling

Wild Bill

Roberts Blossom

Roberts Blossom

Farmer

Directed by

Steven Spielberg

Production

Reviews

Ian Beale

8/10

2/16/2017

**Do the mashed potato!** Roy Neely is a gas repair man who has a close encounter with an alien craft and begins having strange visions of mashed potatoes, shaving cream and mud mountains. This all leads to Needy's marriage breaking up and he sets out to find the truth about his mashed potato visions. The climax at a mountain is breathtaking when Neely comes face to face with his destiny. One of Spielberg's best with a nice cameo by French director Francois Truffaut.

CinemaSerf

7/10

6/4/2023

I always remember as a child hoping/praying that if extra terrestrials ever did come to visit us, that they wouldn't arrive in America. Think "The Day the Earth Stood Still" (1951) or most other sci-fi stories: the first things they would see when they opened their door would be guns, tanks, missiles, soldiers... This film takes a far more sophisticated approach to how we might engage with an alien species, and together with some super effects and a far more nuanced storyline leaves us with room for optimism that we might not just try to shoot first and ask questions afterwards - should anyone ever do arrive. Spielberg was still, in my view anyway, learning his craft when he wrote/directed this and that shows in the real paucity of pace for the first hour. Richard Dreyfuss is adequate, but

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