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Brief Encounter

Drama · Romance

Brief Encounter

A story of the most precious moments in a woman's life!

7.7(713) 11/24/1945 1h 26m
DramaRomance

Returning home from a shopping trip to a nearby town, bored suburban housewife Laura Jesson is thrown by happenstance into an acquaintance with virtuous doctor Alec Harvey. Their casual friendship soon develops during their weekly visits into something more emotionally fulfilling than either expected, and they must wrestle with the potential havoc their deepening relationship would have on their lives and the lives of those they love.

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Top Cast

Celia Johnson

Celia Johnson

Laura Jesson

Trevor Howard

Trevor Howard

Dr. Alec Harvey

Stanley Holloway

Stanley Holloway

Albert Godby

Joyce Carey

Joyce Carey

Myrtle Bagot

Cyril Raymond

Cyril Raymond

Fred Jesson

Everley Gregg

Everley Gregg

Dolly Messiter

Marjorie Mars

Marjorie Mars

Mary Norton

Margaret Barton

Margaret Barton

Tea Room Assistant Beryl Walters

Directed by

David Lean

Production

Reviews

CinemaSerf

7/10

3/28/2022

Based on Noël Coward's play "Still Life" this is a super adaptation from David Lean as Celia Johnson and Trevor Howard meet in a railway station café and 90 minutes later we have been on a roller-coaster of emotions, all delicately and subtly discussed, as these two eminently middle class English people challenge their long established "civilised" values and conventions of behaviour. It's style is it's simplicity - the script is poignant and charming; if a little dated now. Stanley Holloway provides an occasional breath of air during this quite intense drama, and who can ever forget that Rachmaninoff is a huge star of this, too?

badelf

8/10

2/12/2026

Brief Encounter (1945) Directed by David Lean David Lean's Brief Encounter tells the story of two married people (Celia Johnson and Trevor Howard) who meet by chance at a railway station and fall into a brief, impossible love affair. The acting is incredible, both leads conveying volumes through restraint and glances. Lean's direction is assured, understanding exactly how to frame repressed emotion and stolen moments. The cinematography is phenomenal. The lighting and shadows really raised the experience of the film several notches, turning ordinary railway stations and tea rooms into spaces of longing and moral anguish. Every frame is composed with care, the visual language doing as much work as the dialogue. Too bad the screenplay doesn't age well into current culture. What f

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