

Drama · Thriller
Black Book
To fight the enemy, she must become one of them.
Israel, 1956: Jewish teacher Rachel Stein rather unexpectedly meets an old friend at the kibbutz. It brings back memories of her experiences in the Netherlands during the war, memories of betrayal. In September 1944, Rachel's hiding place is bombed by Allied troops; she makes contact with a resistance member and joins a group of Jews to be smuggled across the Biesbosch to the freed South Netherlands. Only Rachel escapes a massacre by patrol Germans, and is rescued by a resistance group under the leadership of Gerben Kuipers, whose son is captured trying to smuggle weapons. Kuipers asks Rachel to seduce SS-hauptsturmführer Ludwig Müntze, a mission that she will soon learn that the boat attack wasn't a coincidence.
Trailer
Top Cast

Carice van Houten
Rachel Stein / Ellis de Vries

Sebastian Koch
Ludwig Müntze

Thom Hoffman
Hans Akkermans

Halina Reijn
Ronnie

Waldemar Kobus
Günther Franken

Matthias Schoenaerts
Joop

Derek de Lint
Gerben Kuipers

Christian Berkel
General Käutner
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Crew
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Reviews
Wuchak
6/108/9/2020
_**Carice van Houten plays a spy working for the Dutch Resistance during WW2**_ During the German occupation of Netherlands in WW2, a Jewess singer turned spy (Carice van Houten) gains access to the Gestapo headquarters to help the Dutch Resistance. Sebastian Koch plays a sympathetic German officer while Waldemar Kobus is on hand as the heavy. Thom Hoffman plays an agent for the Resistance. “Black Book” (2006), aka “Zwartboek,” is a Euro WW2 film by Paul Verhoeven that balances drama, action, intrigue, romance and suspense. It’s reminiscent of contemporaneous flicks like “Inglourious Basterds” (2009) and “Valkyrie” (2008). It’s not great like the former, but it’s in the same league as the latter. Despite its length, the story movies along swiftly, albeit awkwardly on a couple oc
FrameFatale
8/107/31/2026
Paul Verhoeven’s Black Book is one of the finest World War II thrillers I’ve seen. It is tense, beautifully photographed, and constantly keeps the audience off balance with shifting loyalties, betrayals, and moral ambiguity. Rather than dividing people neatly into heroes and villains, it presents a world where survival often demands impossible choices and where goodness and cruelty can exist side by side. At the heart of the film is Rachel Stein, a remarkable protagonist whose intelligence, resilience, and humanity anchor every twist in the story. She is never reduced to a symbol or an action hero; she remains deeply human throughout, adapting to circumstances that would break most people while refusing to lose herself entirely. Her journey gives the film an emotional weight that linger
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AVRO
VIP Medienfonds 4
Studio Babelsberg
Egoli Tossell Film










