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Good-Time Girl

Drama · Crime

Good-Time Girl

And You Can Have Her!

6.4(16) 4/28/1948 1h 21m
DramaCrime

Sent to a home for "problem" girls, incipient juvenile delinquent Gwen receives a crash course in petty crime. Back on the outside, she falls in with the usual bad crowd, and suffers spectacularly as a result.

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Top Cast

Jean Kent

Jean Kent

Gwen Rawlings

Dennis Price

Dennis Price

Michael 'Red' Farrell

Flora Robson

Flora Robson

Miss Thorpe

Herbert Lom

Herbert Lom

Max Vine

Griffith Jones

Griffith Jones

Danny Martin

Bonar Colleano

Bonar Colleano

Micky Malone

Peter Glenville

Peter Glenville

Jimmy Rosso

Diana Dors

Diana Dors

Lyla Lawrence

Directed by

David MacDonald

Production

Reviews

John Chard

9/10

3/5/2014

Night Darkens the Street. Good-Time Girl is directed by David MacDonald and collectively adapted to screenplay by Muriel Box, Sydney Box and Ted Willis from the novel Night Darkens the Street written by Arthur La Bern. It stars Jean Kent, Dennis Price, Herbert Lom, Bonar Collleano, Peter Glenville, Flora Robson and Jill Balcon. Music is by Lambert Williamson and Clifton Parker, and cinematography is by Stephen Dade. This is the story of Gwen Rawlings (Kent), a 16 year old British girl who ran away from home and met trouble around every corner she turned... The under represented genre of film dealing with juvenile female delinquency has always been a tricky subject for film makers to tackle, even more so back in the day as it were. Here in 1948 is one of the best of its kind, and

CinemaSerf

7/10

7/9/2022

Jean Kent ("Gwen") is at the top of her game in this fast moving drama. After what can only be described as a violent childhood, a period in borstal and getting sacked from her job in a jewellery shop, she has a little too much to drink one evening, drives home and accidentally collides with a policeman! Desperate to avoid the law, she hooks up with deserting American soldier - "Mallone" (Bonar Colleano) and shortly afterwards they are becoming the petty-thievery bane of the lives of just about everyone. It's told by way of a sort of optimistically redemptive series of flashbacks as another young woman "Lyla" (Diana Dors) is regaled with this tale of her flawed life - largely in the hope that it will dissuade her from taking the same path. Each episode, if you like, of her life seems to ha

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