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Saltburn

Drama · Comedy

Saltburn

We're all about to lose our minds.

6.9(3,009) 11/16/2023 2h 11m
DramaComedyThriller

Struggling to find his place at Oxford University, student Oliver Quick finds himself drawn into the world of the charming and aristocratic Felix Catton, who invites him to Saltburn, his eccentric family's sprawling estate, for a summer never to be forgotten.

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Trailer

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Top Cast

Barry Keoghan

Barry Keoghan

Oliver Quick

Jacob Elordi

Jacob Elordi

Felix Catton

Rosamund Pike

Rosamund Pike

Elspeth Catton

Richard E. Grant

Richard E. Grant

Sir James Catton

Alison Oliver

Alison Oliver

Venetia Catton

Archie Madekwe

Archie Madekwe

Farleigh Start

Carey Mulligan

Carey Mulligan

Poor Dear Pamela

Paul Rhys

Paul Rhys

Duncan

Directed by

Emerald Fennell

Production

Reviews

CinemaSerf

7/10

10/8/2023

I was quite nervous when I saw this. I was expecting a sort of hybrid of "Another Country" meets "Brideshead Revisited" as the story of "Ollie" (Barry Keoghan) and his aristocratic pal "Felix" (Jacob Elordi) unfolds. Both are at Oxford university, but the former man is very much a poor relation of his well-heeled contemporaries. One afternoon, though, he comes to the aid of "Felix" lending him his bike, and what now ensues is a friendship that sees the two gradually start to bond and for the latter to invite his new friend to his eponymous stately pile as a guest of his mother (Rosamund Pike) and father (Richard E. Grant). Tagging along throughout this experience is the slightly malevolent and jealous "Farleigh" (Archie Madekwe) as their summer vacillates from the hedonistic and enjoyable

Brent Marchant

3/10

12/9/2023

Sometimes you come across a filmmaker whose works you just don’t like. And now, after two features in, I can honestly say that about writer-director Emerald Fennell. I didn’t care much for her debut outing, “Promising Young Woman” (2020), and I can say the same (and more) about her follow-up effort, “Saltburn.” This alleged thriller about a seemingly awkward but quietly sinister Oxford student (Barry Keoghan) who ingratiates himself into a family of wealthy English aristocrats features a story and characters about whom, quite frankly, I couldn’t care less. (Think “The Killing of a Sacred Deer” (2017) with a cast of eccentric old money cronies and a wolf in sheep’s clothing.) This assemblage of utterly reprehensible characters living utterly reprehensible lives and zealously adhering to utt

Chandler Danier

8/10

12/27/2023

Has a case of the samesies on the final chapter. I think we get it. I liked the people. Fun characters outside of you know who. Does anyone really say the vampire line? Great character reveal in the slurp. For me, the explanation station took away from the experience. Feels sloppier the more you see. But then you see it all. Giant slopfest.

dumasori

7/10

1/1/2024

**Overall** **Entertaining** This movie was a refreshing experience. Well directed with tight plot. Leaving the viewer always wondering what’s going to happen next? There are some potholes and forced nudity (incongruent), but the good plot makes up for these minor shortcomings. Overall, I enjoyed this movie 7/10

BornKnight

8/10

1/2/2024

Black comedy / psychological drama of Amazon, directed and written by Emerald Fennell (from the magnificent promising Young Woman and Barbie). This one is a bit tricky one to review without spoilers so if want to see the review stop right here. It tells a story about the scholarship student Oliver Quick (Barry Keoghan) early in the 2000 that struggle to be accepted into the high class Oxford University. He manages to met Felix Catton (Jacob Elordi) a popular student and befriends it being closer and closer in friendship with him, till he shares his sad family story background. Then he is invited to be at vacations at Saltburn, an magnificent summer place in the fields of England where he meets the eccentric and decadent family of Felix, Rosamund Pike (Lady Elspeth Catton, Felix's moth

Amin

8/10

1/13/2024

**It's been a long while since I stumbled upon a film that wasn't painfully predictable.** What struck me the most was this bizarre yet fascinating connection I developed with a psychopath. It sounds odd, but the film masterfully reels you into this vortex of the character's emotions and psyche. And then, somewhere along the line, it cleverly severed this connection, leaving me... adrift. However, what really resonated with me was the cinematography. The camera work, grading, lighting – everything seemed meticulously crafted to enhance the narrative and the mood of the film. There were moments where I was simply awe-struck by the beauty of a single shot. Worth watching.

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