

Comedy · Romance
Hit Man
He's not a killer, but he can pretend.
A mild-mannered professor moonlighting as a fake hit man in police stings ignites a chain reaction of trouble when he falls for a potential client.
Trailer
Top Cast

Glen Powell
Gary Johnson

Adria Arjona
Madison Figueroa Masters

Austin Amelio
Jasper

Retta
Claudette

Sanjay Rao
Phil

Molly Bernard
Alicia

Evan Holtzman
Ray

Gralen Bryant Banks
Sargeant Hank
Directed by
Richard Linklater
Production
Reviews
Manuel São Bento
8/109/5/2023
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/hit-man-venice-film-festival-review-one-of-the-years-greatest-comedies/ "Hit Man leaves everyone floored with one of the best comedies of the year in a magical case of cinema in which direction, screenplay, and cast combine so well with each other that, in the end, it's impossible not to applaud. Richard Linklater and Glen Powell deliver an insanely hilarious, genuinely entertaining script elevated by the filmmaker's flawless technical execution and career-best performances from Powell and Adria Arjona. A light, non-stop narrative filled with memorable, thought-provoking, sharp dialogue, exploring notions of identity and personality through the question: "can we really change who we are?" One of the most sensationally enjoyable the
CinemaSerf
7/105/29/2024
At this rate, Glen Powell is going to be able to pay Tom Cruise back for his flying lessons pretty swiftly! Here, he's a rather geeky teacher (Gary) who teaches philosophy at a college whilst occasionally helping out the cops with some criminal profiling. When one of their investigators "Jasper" (Austin Amelio) goes a bit too far and gets suspended, Gary gets drafted in last minute and proves quite effective at getting folks who want to bump of their nearest and dearest for $5,000 to admit their cunning plans to a well wired-up con. The more of these cases he does, the better he gets; the more fun he has dressing up and adept he becomes at assuming a range of identities. It's "Maddy" (Adria Arjona) who sets the cat amongst the pigeons when she asks him to get shot of her thuggish husband "
r96sk
9/106/8/2024
<em>'Hit Man'</em> is fun! Glen Powell and Adria Arjona team up to form a strong acting chemistry, I enjoyed seeing them both feature all the way through - two great performances. On the note of the cast, good to see Austin Amelio appear; I like that guy from his <em>'The Walking Dead'</em> days. This movie is paced very well, the two hour run time did not feel of that length at all. It holds an interesting and fairly amusing plot, one brought to life by everyone involved on and off screen very nicely. It's goofy in certain ways, though that is only a positive to be honest. I also thought it was going to end slightly differently, but again that's not a negative.
dumasori
6/106/13/2024
**Passable** I watched this movie with low expectations, and I wasn't disappointed. This movie falls into the mid-level cheesy category, offering a fair amount of entertainment without being extraordinary. The actors are good at what they do, and the direction is also good. However, you can only do so much with a mediocre plot. Overall, watchable one time.
Louisa Moore - Screen Zealots
3/107/17/2024
Richard Linklater‘s “Hit Man” is a film with a serious identity crisis. This genre blending disaster starts out as a wannabe goofy comedy, then veers off the rails into dark noir, finally settling on a bizarrely erotic femme-fatale rom-com. This movie is absolutely terrible, and its only saving grace is its lead’s bonafide Hollywood star power. Straight-laced professor Gary Johnson (Glen Powell) has an odd hobby: he moonlights with the New Orleans Police Department as a fake hit man. With a penchant for inhabiting different personalities and donning outrageous costumes, Gary has a knack for telling potential clients (and marks) just the right things to get them arrested. Things get complicated when he falls for Madison (Adria Arjona), a potential criminal who meets with Gary to discuss
RalphRahal
7/101/5/2025
Hit Man by Richard Linklater is a solid watch, blending a deliberate pace with engaging character work. The first act feels like it lingers a little too long, but by the time the final act rolls around, you realize it was all intentional. That slower setup creates a nice payoff later, making the transitions between acts smooth and well-timed. It’s clear Linklater knew exactly how much breathing room to give the story, even if it left me wishing for a bit more energy upfront. Glen Powell and Adria Arjona carry the film with their performances, delivering exactly what their roles demand without overdoing it. Their character arcs extend nicely into the second act, which keeps things interesting and makes you care about what happens next. The plot itself isn’t groundbreaking and leans on so
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