El Conde

9/1/2023

FULL SPOILER-FREE REVIEW @ https://fandomwire.com/el-conde-venice-film-festival-review-a-vampirically-efficient-satire/ "El Conde delivers an effective, brutally gory sociopolitical satire packed with sarcastic commentary, offering an amusing narrative that compares the eternity of vampires with the impunity of the Chilean dictator's crimes. Technically wonderful, employing a stunning black-and-white canvas that will leave any cinephile delighted, as well as excellent contributions from cinematography, score, and editing for a captivating immersive experience. Underdeveloped characters and repetitive messages remove some of the biggest impact the film could have had." Rating: B+

9/12/2023

Discussed on the 10th September 2023 Awesome Friday Podcast! While we both love the visuals and the performances, we did not vibe with the movie. And it's definitely a vibes movie. Listen to the show here: - Home: https://awesomefriday.ca/2023/09/podcast-the-meg-2-the-trench-el-conde/ - Apple: https://podcasts.apple.com/ca/podcast/awesome-friday/id480100293?i=1000627430169 - Spotify: https://open.spotify.com/episode/3G2sJ5Erqyj01tUI02bD67?si=RDX8scb_SC2ugvPBzopRVg - YouTube: https://www.youtube.com/watch?v=DqkNj-bTxvM

9/17/2023

Are politicians fundamentally just vampires, in disguise? El Conde crafts a clever tale that weaves the life of the vampire, with that of the politician. It draws on two, well known, right wing, political figures, from Chilean and UK politics. The notorious Chilean dictator, Augusto Pinochet and the iron lady of UK politics, Margaret Thatcher. This is a surreal, highly watchable experience, that's at times brutal, and visually, compellingly beautiful. Its not perfect. Its starts and ends convincingly, cleverly drawing together the threads of the story. What happens in between, can come across, as a little too diffuse and disordered, at times, to really represent anything contextually cohesive. In summary, this is a highly original, stimulating piece of film noir, that stay

11/17/2023

Fusing cinematic genres can be tricky, especially if the mix doesn’t mesh. But the latest from writer-director Pablo Larraín successfully pulls off a brilliantly original blend and does so just about perfectly. This metaphorical account of the life of former Chilean dictator Augusto Pinochet (1915-2006) (Jaime Vadell) portrays the onetime-strongman as a vampire a la Dracula (hence the title and the character’s nickname, “the Count”), shot in the style of F.W. Murnau’s black-and-white silent film classic, “Nosferatu” (1922). The story charts the immortal’s life from his birth as orphaned royalist Claude Pinoche in late 18th Century France through the many military campaigns in which he fought to put down radical rebellions before finally rising to power as the right-wing dictator of Chile t

2/9/2024

The real-world history of Pinochet et al should be common knowledge. Add the vampire aspect in, and you've got a starting point for an interesting story. There was potential in the concept, but the result here doesn't go beyond a comedy show skit - with two hours runtime. The actors are given little to work with, so despite competence and good efforts, half the characters are and stay clichéd. What saves it from being a complete waste of time is the development of Vampire relationships; especially the modernised Renfield is well done. But what's with the decrepit barracks which turn out to be some kind of a farm? A set of one-story buildings having secret passages and dungeons doesn't make sense; if there was a specific story or cultural idea behind this, it was neither shown nor

2/2/2026

Our intro is dark and explanatory, and the violence is 'to die for' The way they show our main story’s character is quite elegant and eye-catching, and I’m finding the storytelling to be rather fun as well. The imagery is fun and still feels poignant to our story, yet remains silly at times. There is treacherous behavior going on, and I’m hoping it holds some bearing to our story as it progresses further. The cinematography is done in such a way as to feel as though we’re watching art happen in person, and I’m finding it hard to look away. The bluntness of the dialogue is actually comical and refreshing and is silly enough to be entertaining. A wonderfully told story and portrayal of an old tale of love and desires, passion, and eternal loneliness, in a way that you felt as well