

Music · Drama
The Great Gabbo
Hated by all-his real soul spoke through the lips of a lifeless dummy
For the ventriloquist Gabbo his wooden dummy Otto is the only means of expression. When he starts relying more and more on Otto, he starts going mad.
Reviews
CinemaSerf
6/106/6/2022
The problem for Erich von Stroheim in the title role here is that his character's abilities to eat, drink - sing La Bohème, even - whilst his dummy "Otto" chats away merrily to the audience does quite come off on film. An out-of-vision voice is nothing new with this medium, so much of the potency of the joke - that might have worked more effectively in a theatre - is lost. What's left is a mildly amusing, sometimes even slightly sinister story about the eponymous character who works with the rather clumsy "Mary" (Betty Compson) on whom he picks on relentlessly. After one outburst, she packs up and leaves him... Success comes his way and soon they are reunited on a bill where she has a slot as a dancer - and he wants her back! Had the story focussed more on that plot line, and on the slight
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