

Drama · Crime
The Locket
Her Mysterious Secret Wrecked 3 Men's Lives! Not love, not money...but a haunting hunger drove her to lie, cheat, steal. Why? IT'S THE STRANGEST SECRET EVER TOLD!
A dark personal secret drives a young woman to use every man she encounters.
Top Cast

Laraine Day
Nancy

Brian Aherne
Dr. Harry Blair

Robert Mitchum
Norman Clyde

Gene Raymond
John Willis

Sharyn Moffett
Nancy - Age 10

Ricardo Cortez
Drew Bonner

Henry Stephenson
Lord Wyndham

Katherine Emery
Mrs. Willis
Directed by
John Brahm
Production
Reviews
Steve
7/105/27/2016
John Brahm’s The Locket (1946), or “What Nancy Wanted” Written by Wheeler Winston Dixon There are certainly any number of labyrinthianly complicated noirs, but nothing can quite prepare the viewer for the experience of watching John Brahm’s The Locket (1946), famous for its “flashback within a flashback within a flashback” structure, perhaps the most convoluted narrative in the history of noir. The plot itself is relatively simple: Nancy (Laraine Day) is a kleptomaniac, driven to steal anything that strikes her fancy (the original title of the film was “What Nancy Wanted”). Nancy’s compulsion springs from a childhood incident, in which she was given a locket as birthday gift, which was then taken away from her by the cruel Mrs. Willis (Katherine Emery), her mother’s employer. When th
John Chard
7/102/8/2017
Don't tell me your conscience is bothering you? The locket is directed by John Brahm and based on a screenplay written by Sheridan Gibney, which in turn is adapted from the story "What Nancy Wanted" written by Norma Barzman. It stars Laraine Day, Brian Aherne, Robert Mitchum and Gene Raymond. Music is by Roy Webb and cinematography by Nicholas Musuraca. Story tells of how a bride to be, who as a child was traumatised by a false charge of stealing, grows up to badly affect the men who wander into her life. "You don't know the truth from lies, you are just a love sick quack" A psychological melodrama with film noir flecks, The Locket turns out to be a most intriguing picture. Director Brahm brings into the production not only his baroque know how, where his Germanic keen eye
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RKO Radio Pictures










