Floating Weeds

8/20/2025

Ozu dark mode. Color surprisingly got him painting characters with a different pallete and they all shady except the mom. Suppose it reflects a different era but quite entertaining

8/23/2026

**Summary: 8/10: a meta-theatrical morality tale about lies and consequence, elevated by Kazuo Miyagawa's stunning cinematography that frames life itself as theater, blurring the line between performance and authenticity with visual precision that remains impressive nearly seven decades later.** When a great lie comes home to roost, the owner of that lie may not be prepared for all the consequences. That's the moral engine driving Yasujiro Ozu's *Floating Weeds*, a 1959 color remake of his own 1934 silent film, and it carries the weight of classical Japanese morality from that era: duty, honor, and the debts we accumulate through our choices. What elevates this morality tale into something more complex is Ozu's meta-theatrical structure. The film follows a troupe of itinerant kab