I Saw the TV Glow

5/11/2024

After watching this piece of incoherent, unfocused rubbish, I would have much rather watched the TV glow instead. Writer-director Jane Schoenbrun’s incomprehensible smart horror offering is an absolute utter waste of time, not to mention the ticket price. This glacially paced story of two psychologically and emotionally troubled teens, Owen (Ian Forema) and Maddy (Brigitte Lundy-Paine), who bond over a cheesy late night 1990s young adult sci-fi/horror television series called The Pink Opaque struggles mightily to find its way. As Owen grows into an adult (Justice Smith), his cohort vanishes mysteriously when the TV series is abruptly cancelled, leaving him wondering what happened to her until she just as mysteriously reappears years later with a disjointed story that makes no sense from to

7/9/2024

I was disappointed in the flow of the story in 'I Saw The TV Glow'. Despite this, the melancholy feel of the film is beautifully conveyed throughout, enhancing its themes effectively. The visuals are stunning, and the combination of top-tier editing and visual effects elevates the cinematography to an exceptional level. The film’s melancholic atmosphere is one of its strongest points. This pervasive mood adds depth to the narrative, making the emotional and thematic content more impactful. For example, scenes depicting the isolation and struggles of the characters are visually striking, with a muted color palette and hauntingly beautiful landscapes that mirror their inner turmoil. The layered storytelling warrants another viewing to fully appreciate the intricate details and symbolism w

8/9/2024

Necessity and Style, lacking Substance ‘I Saw the TV Glow’ offers an important message that is evidently hitting the hearts of the people who need to hear it, and the beautiful visuals bath it in emotional colour. It would have been served with more depth, detail, and structure, but it does what it set out to do. If it doesn’t hit for you, you’re probably not the intended audience.

8/13/2024

Told using a verity of storytelling techniques, this is a curious film that certainly has a potent point to make but somehow it just can't get there. It's all about the relationship between two folks on the periphery of society. "Owen" (Ian Foreman then Justice Smith) lives with his parents whilst "Maddy" (Brigette Lundy-Paine) abides with her indifferent mother. She's a few years older than he, and they initially bond over a television show called "Pink Opaque" that she has been watching for a few seasons, but it's on past his 10.15 bedtime. She makes it pretty clear that her sexual interests lie elsewhere but he, not remotely bothered, just wants to see the show. A sleepover starts the ball rolling on their enigmatic friendship that invites us to consider a range of issues surrounding se

12/3/2024

I was hoping this was a Helloween 3 remake. Way too much filler. Who needs to see bands performing? Monologues... It's deep but I wasn't buying. Hellish ending. Really cool shots. Creepy shots. Well shot.

3/6/2025

Honestly? Not that good. Like I got the underlying metaphor of Owen being trans and that was cool, but there really wasn't that much substance to the film other than that. > I'll die if I stay here. I don't know how exactly, but I know it's true. Maybe there is more substance to it and I didn't realise because I was tired when I watched it. I don't know. I think I just expected more horror and more trans.