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The Flesh Is Weak

Crime · Drama

The Flesh Is Weak

The Newest Headlines On The Oldest Profession!

5.9(7) 8/6/1957 1h 28m
CrimeDrama

Giani is a pimp who preys on the naïve, ‘just off the bus’ young women who come to post-war London for fortune.

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Top Cast

John Derek

John Derek

Tony Giani

Milly Vitale

Milly Vitale

Marissa Jane Cooper

William Franklyn

William Franklyn

Lloyd Buxton

Martin Benson

Martin Benson

Angelo Giani

Vera Day

Vera Day

Edna

Freda Jackson

Freda Jackson

Trixie

Patricia Jessel

Patricia Jessel

Millie

Shirley Anne Field

Shirley Anne Field

Susan

Directed by

Don Chaffey

Production

Reviews

John Chard

7/10

5/11/2014

Seedy Soho Shenanigans. The Flesh is Weak is directed by Don Chaffey and written by Leigh Vance and Deborah Bedford. It stars John Derek, Milly Vitale, William Franklyn, Martin Benson, Freda Jackson and Norman Wooland. Music is by Tristram Cary and cinematography by Stephen Dade (not Gerry Massy- Collier as listed in some sources). It's a British crime drama with film noir shadings. Plot finds Vitale as the innocent girl who upon visiting London falls in love with the shifty Tony Giani (Derek). Before you can say "vice girls" she finds herself facing up to the harsh realities of the Giani family operations. It's a nasty subject that is still relevant today, but the makers handle the subject well. Obviously clipped somewhat by how far they could push the material at the time, it's

CinemaSerf

5/10

4/4/2022

John Derek is the seedy "Tony Giani" who promises attractive girls newly arrived in London a good job with prospects. Of course, there is no such thing as a free lunch and pretty soon they discover these promises are pretty hollow - and come at quite a cost. "Marissa" (Milly Vitale) is one such vulnerable, who quickly befriends the beguiling "Giani". He is clever. He allows her to fall for him, then when he claims to need cash to save him from prison, she starts to meet his "friends". Although she is naive and innocent, neither character here is very likeable - indeed as the thing trudges on (the pace is really stodgy), I began to feel that they deserved each other and their respective fates. It's dialogue heavy, and most of the narrative has to be implied rather than defined - and that be

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