

Drama · Fantasy
The Tree of Life
Nothing stands still.
The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.
Trailer
Top Cast

Brad Pitt
Mr. O'Brien

Jessica Chastain
Mrs. O'Brien

Hunter McCracken
Young Jack

Sean Penn
Jack

Fiona Shaw
Grandmother

Tye Sheridan
Steve
Laramie Eppler
R.L.

Will Wallace
Architect
Directed by
Terrence Malick
Production
Reviews
Andres Gomez
5/1011/29/2013
A movie that wants to mean more than what is actually telling. Taking a lot of things borrowed from 2001, it doesn't even come close to have such a deep an interesting meaning.
CRCulver
6/109/1/2018
Terrence Malick's <i>The Tree of Life</i> is an attempt to inject some cosmic wonder into the most mundane American story. In the 1950s, two parents bring up three boys in an American white middle-class, small-town existence. The mother (Jessica Chastain) radiates love and warmth, while the father (Brad Pitt) feels the obligation to be cold and distant in order to prepare his sons for the cruel world that awaits them. As we are informed at the beginning of the film, sometime during this mid-century upbringing, one of the boys would eventually die. We are also shown flashfowards to the present day, when the eldest son Jack, now a successful architect working in New York City, reflects on the death of his brother decades ago. There is very little conventional spoken dialogue in this famil
Filipe Manuel Neto
4/106/19/2022
**Visually grandiose and made with true technical and artistic mastery, it is a film with difficult and indigestible themes, which will scare the audience with its slowness and tiring atmosphere.** There are films that are made for some audiences and not for most people, the general public. This film is one of them: being what it is, it doesn't even try to capture our sympathy or attention. The film did very well on the festivals circuit and even won the Palme d'Or at Cannes, in addition to being acclaimed by critics and intellectuals. However, it was not understood by almost anyone but them, it seems extremely cryptic in its message and script, and it was not able to please the mass audience: the proof is in the fact that it received three Oscar nominations without, however, winning an
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